The New York Times called Porter Shreve’s first novel, The Obituary Writer, “an involving and sneakily touching story whose twists feel less like the conventions of a genre than the convolutions of a heart — any heart.” Newsday hailed the book as “a substantial achievement,” and Tim O'Brien described it as “taut, compelling, and moving . . . beautifully written, engrossing from start to finish.” Shining with the same heart and humor, Shreve’s second novel, Drives Like a Dream, is a smart, wry tale about a modern-day mother in the midst of a lifestyle crisis — and her outlandish attempts to get her family back. Lydia Modine is sixty-one and about to come undone. Her three grown-up children have flown the coop. She hasn’t seen them together in more than a year, and now her ex-husband is about to remarry a woman half his age. And the insults keep coming: Lydia is stuck on a book she’s writing about Detroit’s car industry, which uncannily parallels her own life — out with the old model, i